Luís Geraldes


Luís Geraldes

Luís Pereira Geraldes
(1957-05-15) May 15, 1957 (age 59)
Lisbon, Portugal


Institute of Art and Design, Lisbon
Monash University, Melbourne

Known for
Painting, Sculpture, Ceramic Murals, Print Making, Drawing

Luís Pereira Geraldes (born May 15, 1957), is a contemporary metaphysical Portuguese artist.[1]
He is more widely known for his oil painting[citation needed] although he has produced a vast amount of sculpture, drawings and large Ceramic murals. His art can be labelled as metaphysical/mysticism symbolism or magnetic spirituality. He has also produced a lengthy number of ceramic murals in Sydney and Melbourne, Australia. Which are on public display at Trafalgar Street metro station in the suburb of Petersham, and Audley street in Marrickville, Sydney


1 Biography
2 Oil on canvas
3 References
4 External links

Geraldes was born in 1957 and went to the African country of Angola when he was about 3 years of age. He spent most of his childhood and adolescent years there but in 1975 he had to flee the country as a refugee due to the terrifying civil war. His long stay in Angola seems to have affected his style of art and he did indeed start painting when he was a boy.
He migrated to Australia in 1985. He became an Australian citizen in 1987 and has taught art and design at Footscray Institute of TAFE from 1988 to 1990 and at RMIT (Royal Melbourne Institute of Technology) from 1991 to 1995. From 1995, he was a lecturer at the Central Gippsland Institute Art Department.
He now paints full-time and regularly travels between Europe and Australia. His paintings have been selling throughout the world and auctions houses, particularly at Christie’s Art Auctions in London.
Oil on canvas[edit]
Geraldes is more famous for his oil painting. His style has dramatically changed over the years and we can see how Australian art has influenced his style.
His early interest in western and eastern esotericism and spirituality can also be seen as a prime factor in his subject matter, painting geometric patterns involving cosmic imagery and symbolism of universal significance. In some of his works the use of the chakra colors can be seen as well as a diagrammatic language of cosmic journeys.. In his book, Visions of the Esoteric Power, he asserts his belief that “art, science, and the spiritual do not exist in isolation”.
He is exploring the 3rd dimension of human beings in relation to the spirit